I’m a sucker for post-apocalyptic science fiction, and I recently read, with great enjoyment, the recent novel The Blood Miles by Andrew Moody – a self-described lay theologian and graphic designer from Melbourne, Australia. This is a YA novel, in the sense of a blog post I read once:
- The protagonist should … be aged between 15 to 18 years old (Chris Walker, the protagonist here, is 18)
- … be autonomous from his or her parents (Chris Walker has lost his parents)
- … embark on a journey which has to do with coming of age or some sort of rite of passage (Yes, he does)
- … learn something about who he or she is (Yes, in the deepest possible way)
- … have a ‘voice’ that readers can relate to (Yes, especially for male readers)
The gunfire, violence, torture, and human experimentation in this book mean that it is probably not suitable for younger readers, however.
As a post-apocalyptic YA novel with an edge-of-your-seat exciting eastward journey, The Blood Miles is reminiscent of e.g. John Christopher’s The White Mountains (1967) although, given that it is set in a desertified Australia, Lotus Blue (2017) might be a better comparison. There are also similarities with the 2010 film The Book of Eli.
Along with the desertification and bands of roving killers, everybody in this novel seems to be suffering from a mysterious “Tox” with no known cure, except for the promise of a treatment outpost at Crux, located across the mountains to the east.
The world of the novel is cleverly invented and described very well. The image above is my personal take on a description from an early chapter: “The south gate was a big metal frame made of I-beams and trench mesh that ran on wheels between concrete walls. As it slid back and we went forward, I could see the van with its battered panels, and red-X silhouette made of crossed syringes.”
The plot is loosely based on that of John Bunyan’s The Pilgrim’s Progress – the author calls it “a homage” to that work – with elements from C.S. Lewis’s The Pilgrim’s Regress and all kinds of other literature. For example, the character corresponding to Bunyan’s Evangelist is a somewhat grittier character called Evangeline Veracis: “She was middle-aged with short grey hair and a long grey overcoat that parted to reveal a ceramic breastplate and loose combat pants. Over all of it, she wore a diagonal leather strap that supported a sword from her left shoulder.”
Given that the author is an Anglican lay theologian with an interest in the Trinity, it is not surprising that there is a great deal of Christian symbolism in the novel. Some of the symbolism is very subtle (for example, the number sequence 3–7–12–1–12 might, or might not, be a reference to Malachi 1:12), while at other times it is more overt. It turns out, for example, that the red X symbolises the “Envoy,” who is named Tobias (i.e. “Yah is good”), and is “the Pantarch’s special representative,” killed by the villainous “Homeland Reaction and Defence,” but no longer dead – and, in fact, “running all the ops for the Pantarch.” The symbolism also shows up in place names like Gaia, Ockham, and Horeb. Several scenes unrelated to The Pilgrim’s Progress are clearly parables addressing issues in modern Christianity. I particularly enjoyed the sections exploring issues of truth, responsibility, and grace. Indeed, the extensive symbolism would make this novel a great candidate for a book club, as was also the case with the novel Piranesi (2020).
This is one of the best post-apocalyptic science fiction novels I have read, right up there with A Canticle for Leibowitz (1959), and I am giving it 5 stars. See also:
- the author’s launch video
- a book review by the “post-apocalyptic theology” blog
- Goodreads and Amazon links