A reflection today on fiction based on the four cardinal virtues: Prudence, Temperance, Justice, and Fortitude. Where indicated, star ratings are out of 5 are from GoodReads (for books) and RottenTomatoes (for films).
Prudence
Prudence is the virtue of making the right decision. It therefore produces puzzle stories, like “The Fascinating Problem of Uncle Meleager’s Will” (in Lord Peter Views the Body by Dorothy L. Sayers, 1928, ★★★★). There are also science fiction examples from last century, like the story “The Three-Cornered Wheel” (Poul Anderson, 1963, in The Trouble Twisters, 1966, ★★★☆). Puzzle stories are fun, though perhaps not great literature. Detective stories also fall into this category (as well as in the category of Justice, below), but the puzzle being solved need not involve a crime of any kind.
Stories based on Prudence fall on a spectrum of intensity, depending on how much we care about the problem being solved. At the low-intensity end are enjoyable “cozy mysteries,” such as the Mrs. Meade Mysteries (★★★★) from Western writer Elisabeth Grace Foley. At the high-intensity end are life-and-death edge-of-your-seat novels that leave you feeling shattered. An example of the latter would be
Passage by Connie Willis (2001), which I previously reviewed and gave five stars.
Temperance
Temperance is the virtue of restraining (or not having) undesirable or excessive impulses. It makes for a more interesting story if it’s combined with other themes, of course. One of the great examples is Sense and Sensibility (Jane Austen, 1811) with its multiple movie adaptations.
Justice
Apart from rare gems like Fyodor Dostoevsky’s 1866 novel Crime and Punishment, many of the best examples of fiction based on Justice are detective stories. In Thrones, Dominations (1998, ★★★★), which was started by Dorothy L. Sayers and finished by Jill Paton Walsh, detective Lord Peter Wimsey explains:
“Detective stories contain a dream of justice. They project a vision of a world in which wrongs are righted, and villains are betrayed by clues that they did not know they were leaving. A world in which murderers are caught and hanged, and innocent victims are avenged, and future murder is deterred. … Detective stories keep alive a view of the world which ought to be true. Of course people read them for fun, for diversion, as they do crossword puzzles. But underneath they feed a hunger for justice, and heaven help us if ordinary people cease to feel that.”
No matter how well-hidden the secret crime, Hercule Poirot, Lord Peter Wimsey, or a grey-haired lady who knits will eventually reveal it.
There is a darker genre of fiction based on Justice, though. The Bible has a lot to say about the blood of the innocent and the cries of the oppressed. For example, “And the Lᴏʀᴅ said, ‘What have you done? The voice of your brother’s blood is crying to me from the ground’” (Genesis 4:10) or “the Lᴏʀᴅ … who executes justice for the oppressed” (Psalm 146:5–7). If earthly justice is not forthcoming, then God might send some other kind of justice, by means of an avenging angel. This need not be a literal angel. Indeed, the Greek word angelos (ἄγγελος) just means “messenger.” But such a messenger is likely to be terrifying.
My favourite example of this genre is the classic 1985 Clint Eastwood film Pale Rider (★★★★, rated R). One of the oppressed, a young girl named Megan Wheeler, prays in desperation (“Please? Just one miracle?”), and her prayer is answered in the form of a preacher played by Clint Eastwood (who also directed the film). Although the movie itself is ambiguous, it is clear from interviews with Clint Eastwood that this preacher is the ghost of a man who had been killed by the villains, and has been returned to earth to deliver justice. Which he does: “Well, there’s a lot of sinners hereabouts. You wouldn’t want me to leave before I finish my work, would you?”
In movies of this kind, the avenging angel is often more explicitly supernatural, however.
Fortitude
Fortitude, says C.S. Lewis in Mere Christianity, “includes both kinds of courage—the kind that faces danger as well as the kind that ‘sticks it’ under pain. ‘Guts’ is perhaps the nearest modern English.” In fiction, that involves a hero and/or heroine struggling through obstacles that get worse, and worse, and worse, so that you constantly ask yourself “how can they possibly survive?”
C.S. Lewis tells us that “you cannot practise any of the other virtues very long without bringing this one into play,” and likewise one cannot write about any of the other virtues very long or very well without equipping the characters with this virtue.
The most recent novel of this kind that I have read is To Ride Hell’s Chasm (Janny Wurts, 2002, ★★★★), but of course the greatest classic is The Lord of the Rings (J. R. R. Tolkien, 1954–1955).
Would my readers like to share their favourite fictional examples of Prudence, Temperance, Justice, and Fortitude?