I recently read Origin, the latest Dan Brown novel. Just about every Dan Brown novel covers topics dear to my heart, such as cryptography, computer simulation, the theory of computation, and artificial intelligence – but also the history of science, the history of Christianity, Dante, and Galileo. Dan Brown routinely promises an accurate depiction of these background topics (in this latest novel, he says “All art, architecture, locations, science, and religious organizations in this novel are real”). However (as I also pointed out for his Angels & Demons), the reality of his novels doesn’t quite live up to this claim. To pick just three examples, Yves Klein did not invent the pigment in International Klein Blue; “Pope Innocent XIV” was an Argentinian antipope, not a Spanish one; and it is not suprising when computer simulations produce results reflecting the assumptions built into their design.
Gaudí’s la Sagrada Família (image credit) plays a major part in the novel. It has been on my bucket list for decades. It still is.
Even as a work of pure fiction, Origin still disappoints. As with Dan Brown’s previous novels, the constant appearance of crazed gunmen doesn’t make up for the plot weaknesses. And a major theme of the novel is artificial intelligence – now, I don’t object to this being portrayed far in advance of current technology (that’s not uncommon in fiction), but the theme of artificial intelligence has been handled far better by (among others) Robert A. Heinlein, Arthur C. Clarke/Stanley Kubrick, Michael Crichton, and Peter F. Hamilton. I also found the book’s ending profoundly anticlimactic. However, if you’re a fan of Dan Brown novels, you’ll probably like this one too.
For other reviews, see The Week (“Dan Brown is a very bad writer”), The National (“The idea that a computer simulation would fundamentally destroy the faith of billions in their religions is so utterly, cluelessly juvenile that it seems right at home in a Brown novel”), and The Stream (“It’s sci-fi done by someone who knows nothing about sci-fi”).